{"id":25342,"date":"2024-06-11T19:52:18","date_gmt":"2024-06-11T19:52:18","guid":{"rendered":"https:\/\/garfnet.org.uk\/cms\/?p=25342"},"modified":"2026-01-20T18:26:40","modified_gmt":"2026-01-20T18:26:40","slug":"why-i-still-quite-like-micro-four-thirds","status":"publish","type":"post","link":"https:\/\/garfnet.org.uk\/cms\/2024\/06\/11\/why-i-still-quite-like-micro-four-thirds\/","title":{"rendered":"Why I still quite like Micro Four Thirds"},"content":{"rendered":"<p><strong>About a decade ago, I decided to go &#8220;mirrorless&#8221; &#8211; basically abandoning my heavy old Pentax DSLR and going for a system camera that is smaller and lighter. At the time I considered the new Fuji mirrorless offerings and micro four thirds. Problem was that at the time Fuji raw files would not work in open source software, whereas the raws from \u00b54\/3 would.<\/strong><\/p>\n<p>So I treated in February 2015, I treated myself to a Lumix DMC-GX7. Despite the shortcomings of the smaller sensor, I really like \u00b54\/3 format. So much so that last year I bought a &#8220;low mileage&#8221; DMC-GX80, to keep it company. Though, to be clear, I have no sense of brand loyalty and I&#8217;d be perfectly happy with an Olympus at the same sort of price. On their own, these tiny bodies weigh around 470 grams or a bit over 530 grams with a 12-23mm or 20mm Lumix lens. And I love that &#8220;Swiss watch&#8221; feel of precision.<\/p>\n<p>In addition to a few AF \u00b54\/3 lenses, I have acquired quite a large and diverse collection of vintage MF glass. Vintage glass works remarkably well on \u00b54\/3. The smaller sensor means that you are effectively carving the good part of the image out of the middle of the lens. And because it&#8217;s an open(ish) format, the adaptors are dirt cheap too.<\/p>\n<p>Whilst I still get the very occasional paid job, I am essentially an<em> enthusiastic amateur<\/em>. These things have brought back an almost child-like joy and fascination for photography &#8211; bringing-out what my wife describes as my &#8220;<em>inner six-year-old<\/em>&#8220;.<\/p>\n<h2>A few snaps of my various <em>larkings-about&#8230;<\/em><\/h2>\n<p>The smaller sensor effectively doubles the focal length of your lens (sensor sizes of 17.3 mm x 13 mm as opposed to 36 mm x 24 mm). So the 1000 mm MTO catadioptric pictured below behaves approximately like a 2000 mm would on 135 format&#8230;<\/p>\n<figure style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/garfnet.org.uk\/cms\/wp-content\/gallery\/20170804-1000mm-catadioptric-lens\/1_20170804-imgp4666-mto-1000mm-catadioptric-lens.jpg\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/garfnet.org.uk\/cms\/wp-content\/gallery\/20170804-1000mm-catadioptric-lens\/1_20170804-imgp4666-mto-1000mm-catadioptric-lens.jpg\" alt=\"Lumix DMC-GX7 mounted on the back of my &quot;Big Russian&quot;: a 1000mm MTO catadioptric on Benbo Number 1 tripod, pointed out of a studio window.\" width=\"900\" height=\"1365\"><\/a><figcaption class=\"wp-caption-text\">Lumix DMC-GX7 mounted on the back of my &#8220;Big Russian&#8221;: a 1000mm MTO catadioptric on Benbo Number 1 tripod, pointed out of a studio window.<\/figcaption><\/figure>\n<p>The bodies are light enough to bolt on to a walking stick&#8230;<\/p>\n<figure style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/garfnet.org.uk\/cms\/wp-content\/gallery\/20240100\/20240121-p2510732-monostick-bracket-assembly-with-camera.jpg\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/garfnet.org.uk\/cms\/wp-content\/gallery\/20240100\/20240121-p2510732-monostick-bracket-assembly-with-camera.jpg\" alt=\"Lumix DMC GX80 mounted on my home-made &quot;monostick&quot; pointed out of a studio window.\" width=\"900\" height=\"1538\"><\/a><figcaption class=\"wp-caption-text\">Lumix DMC GX80 mounted on my home-made &#8220;monostick&#8221; pointed out of a studio window.<\/figcaption><\/figure>\n<p>They are also light enough to hang out of a microscope eye-piece&#8230;<\/p>\n<figure style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/garfnet.org.uk\/cms\/wp-content\/gallery\/20170728-nematodes\/20170728-dscf6061-microscope.jpg\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/garfnet.org.uk\/cms\/wp-content\/gallery\/20170728-nematodes\/20170728-dscf6061-microscope.jpg\" alt=\"Lumix DMC-GX7, mounted on an eyepiece adaptor, inserted into a Leitz Wetzlar stereo microscope. I like to keep a microscope in the studio for photographing small stuff. \" width=\"900\" height=\"1638\"><\/a><figcaption class=\"wp-caption-text\">Lumix DMC-GX7, mounted on an eyepiece adaptor, inserted into a Leitz Wetzlar stereo microscope. I like to keep a microscope in the studio for photographing small stuff.<\/figcaption><\/figure>\n<p>Bolt an old macro bellows on the front and you can mount and deploy some really old glass, such as this Bausch &amp; Lomb + Beck 4 inch (102mm) folding-camera lens, made circa 1890&#8230;<\/p>\n<figure style=\"width: 900px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/garfnet.org.uk\/cms\/wp-content\/uploads\/2023\/12\/20231229-vorsatz-gx80-animation.webp\" alt=\"Animated &quot;WEBP&quot; showing Lumix DMC-GX80 camera and Bausch &amp; Lomb + Beck lens assembly, mounted on Vorsatz macro bellows.\" width=\"900\" height=\"1080\"><figcaption class=\"wp-caption-text\">Animated &#8220;WEBP&#8221; showing Lumix DMC-GX80 camera and Bausch &amp; Lomb + Beck lens assembly, mounted on Vorsatz macro bellows.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>About a decade ago, I decided to go &#8220;mirrorless&#8221; &#8211; basically abandoning my heavy old Pentax DSLR and going for a system camera that is smaller and lighter. At the time I considered the new Fuji mirrorless offerings and micro four thirds. Problem was that at the time Fuji raw files would not work in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":25347,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_kad_post_transparent":"default","_kad_post_title":"default","_kad_post_layout":"default","_kad_post_sidebar_id":"","_kad_post_content_style":"default","_kad_post_vertical_padding":"default","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1623,1630,19,6,680,752,18],"tags":[],"class_list":["post-25342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-photography","category-photographic-equipment","category-general","category-journal","category-photography","category-studio","category-technology"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Why I still quite like Micro Four Thirds - GarfNet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/garfnet.org.uk\/cms\/2024\/06\/11\/why-i-still-quite-like-micro-four-thirds\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why I still quite like Micro Four Thirds - GarfNet\" \/>\n<meta property=\"og:description\" content=\"About a decade ago, I decided to go &#8220;mirrorless&#8221; &#8211; basically abandoning my heavy old Pentax DSLR and going for a system camera that is smaller and lighter. 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